Literature Essay Conclusion Help

Okay, so you have written your initial draft. You have dotted all of the I’s and crossed all of the T’s. You know you have written the kind of essay that will blow the competition out of the water. However, as you will be aware the conclusion and the manner in which you bring a sense of closure to your critique is pivotal. Gloss over it and all of the time that you have invested in your essay to date will have been in vein. Go into overkill and you will be, well, killing the essay.

Before you start panicking or reaching for the delete button don’t worry, I you follow these basic rules then you won’t go far wrong:

  • Spend time on it
  • I have lost count of the times when I have been excitedly reading some brilliant essays only for them to fall flat at the final hurdle. Frankly, it defies logic that someone would invest so much time and effort into the introduction and main body, only to skip over the conclusion as though it were irrelevant. Tiredness or a desire to finish are not excuses. You have to polish, and re-polish until it is absolutely flawless.

  • Recap on the central argument of your argument
  • There is an art to doing this, and once you have written several essays, you will find yourself getting into a routine. You need to deftly recap on all of the main points in your essay without going over them all in depth. The last thing you want to do is repeat that which you have already written!

  • Do not introduce any new threads
  • Your conclusion is not the place to casually throw in any new threads that you have previously forgotten about. If you do suddenly remember something, then you will need to go back and introduce it into the main body of the work rather than trying to slot it in here.

  • Emphasize the significance of your findings
  • Unless you give credence to your findings, then your readers are going to be left scratching their heads and wondering what the point of it all is. If possible try and find a way of linking the literary work to the modern day, or you could maybe explain just why you feel so passionate about it and what it means to you. Whatever, your words need to resonate and connect with your audience.

    So much is at stake in writing a conclusion. This is, after all, your last chance to persuade your readers to your point of view, to impress yourself upon them as a writer and thinker. And the impression you create in your conclusion will shape the impression that stays with your readers after they've finished the essay.

    The end of an essay should therefore convey a sense of completeness and closure as well as a sense of the lingering possibilities of the topic, its larger meaning, its implications: the final paragraph should close the discussion without closing it off.

    To establish a sense of closure, you might do one or more of the following:

    • Conclude by linking the last paragraph to the first, perhaps by reiterating a word or phrase you used at the beginning.
    • Conclude with a sentence composed mainly of one-syllable words. Simple language can help create an effect of understated drama.
    • Conclude with a sentence that's compound or parallel in structure; such sentences can establish a sense of balance or order that may feel just right at the end of a complex discussion.

    To close the discussion without closing it off, you might do one or more of the following:

    • Conclude with a quotation from or reference to a primary or secondary source, one that amplifies your main point or puts it in a different perspective. A quotation from, say, the novel or poem you're writing about can add texture and specificity to your discussion; a critic or scholar can help confirm or complicate your final point. For example, you might conclude an essay on the idea of home in James Joyce's short story collection, Dubliners, with information about Joyce's own complex feelings towards Dublin, his home. Or you might end with a biographer's statement about Joyce's attitude toward Dublin, which could illuminate his characters' responses to the city. Just be cautious, especially about using secondary material: make sure that you get the last word.
    • Conclude by setting your discussion into a different, perhaps larger, context. For example, you might end an essay on nineteenth-century muckraking journalism by linking it to a current news magazine program like 60 Minutes.
    • Conclude by redefining one of the key terms of your argument. For example, an essay on Marx's treatment of the conflict between wage labor and capital might begin with Marx's claim that the "capitalist economy is . . . a gigantic enterprise ofdehumanization"; the essay might end by suggesting that Marxist analysis is itself dehumanizing because it construes everything in economic -- rather than moral or ethical-- terms.
    • Conclude by considering the implications of your argument (or analysis or discussion). What does your argument imply, or involve, or suggest? For example, an essay on the novel Ambiguous Adventure, by the Senegalese writer Cheikh Hamidou Kane, might open with the idea that the protagonist's development suggests Kane's belief in the need to integrate Western materialism and Sufi spirituality in modern Senegal. The conclusion might make the new but related point that the novel on the whole suggests that such an integration is (or isn't) possible.

    Finally, some advice on how not to end an essay:

    • Don't simply summarize your essay. A brief summary of your argument may be useful, especially if your essay is long--more than ten pages or so. But shorter essays tend not to require a restatement of your main ideas.
    • Avoid phrases like "in conclusion," "to conclude," "in summary," and "to sum up." These phrases can be useful--even welcome--in oral presentations. But readers can see, by the tell-tale compression of the pages, when an essay is about to end. You'll irritate your audience if you belabor the obvious.
    • Resist the urge to apologize. If you've immersed yourself in your subject, you now know a good deal more about it than you can possibly include in a five- or ten- or 20-page essay. As a result, by the time you've finished writing, you may be having some doubts about what you've produced. (And if you haven't immersed yourself in your subject, you may be feeling even more doubtful about your essay as you approach the conclusion.) Repress those doubts. Don't undercut your authority by saying things like, "this is just one approach to the subject; there may be other, better approaches. . ."

    Copyright 1998, Pat Bellanca, for the Writing Center at Harvard University

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